In this work, I share three different facets of Singapore which I find unique. Music
materials are derived from several Malay folk-songs popular in the Malay Archipelago
(Singapore, Malaysia, Indonesia etc.) – Dayung Sampan, Chan Mali Chan, Rasa Sayang.
The work begins with “Civilian War Memorial” to highlight the trials and tribulations
suffered during WWII. Located prominently in the heart of the central business district,
this memorial reminds us of the war atrocities, particularly the Sook Ching massacre. The
peaceful melody of Dayung Sampan gradually gains momentum and a sense of grief.
Next, I write about “Hawker Centres”, a fast polyrhythmic section where Rasa Sayang
melody is juxtaposed with Chan Mali Chan. I have always been impressed by how
overseas Singaporeans are willing to drive long distances for great Asian food. At our
local food paradise, the atmosphere is joyful amidst the intense noise and chaos.
Singaporeans fight aggressively for seats and “chope” the tables with tissue packets or
other objects. To symbolize this, the pianist taps the piano loudly. As I was writing this
work, a couple was charged over a shoving incident at Toa Payoh hawker centre. Such
an ugly spat is rare but it reminds me of the competitiveness of Singaporeans.
The view of Marina Bay is a popular feature on many Singapore postcards. Against all
odds, this young nation rapidly rose from third world to first. I imagine the skyscrapers,
which are monuments of success, rising above the waters. The arpeggios at the
beginning returns and the Rasa Sayang theme appears prominently. Finally, I included a
short coda “Honoring our Forefathers”. The best way to honor them is to appreciate their
contributions and strive for greater success.